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Dance Star Matthew Ball on Grueling Roles and Online Attention: 'I'm Not Precious About My Body'

In the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is naturally straight-backed, his arms muscular beneath a plain tee. On stage, ballet dancers can appear like mighty gods, yet often in person they are small. Not so Ball, whose tall stature is one reason for his popularity for heroic characters and pas de deux work. With delicate features and intense eyes, there's a hint of a brooding actor about him.

An Apparent Rise to the Top

Now 31, Ball is experiencing the peak of a career that has progressed seamlessly. Growing up in Liverpool, he faced little ridicule for his early interest in ballet. Joining the Royal Ballet School at 11, he graduated directly into the troupe and was promoted each year, reaching the top rank of principal in 2018. He has loved tackling substantial dramatic roles, especially the emotional turmoil found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming featured appearance is as himself, in an "Evening With" event aiming to offer intimate perspectives into a performer's craft. He will guide the crowd through a role, demonstrating his mental process during performance. Yet in more comedic works, the challenge is significant. "Don Quixote is one of the most demanding technically," he notes.

The Mental Game and Post-Performance Feelings

What about after a show, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get lost in the character, quite often I do feel embarrassed afterwards. After Mayerling I'm always thinking: God, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer previously remarked on a "sense of suffering in him." Is there? "I'm quite energetic in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Motivations and Artistic Influences

Ball's determination originated in early setbacks. Not excelling in contests at school made him "driven!" It was fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.

An upcoming endeavor is making his own dance works. For Ball, "organic movement has value." "Breaking the rules is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, compositions, and painting.

Intimate Performance and Private Partnership

He additionally favors staging dance in smaller venues. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow principal Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t usually paired on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s biggest supporter."

On Social Media and Bodily Image

On Instagram, followers can see clips from his projects and photos that highlight a athletic form. Does he mind that the response can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be interpreted on multiple levels.

Ball characterizes his younger self as "eager for success." Has it lived up to his expectations? "I am conscious of how life is a different thing to the dreams you had as a young person," he muses. He likely has another ten years of dancing left. "I suppose in the time to come, I want to be a bit more kind with myself."

By

Mrs. Julia Davis MD

A financial analyst with over a decade of experience in portfolio management and economic forecasting, passionate about demystifying complex financial concepts.

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